Guy Debord and the Situationists theorized about the psychological impact of space on the viewer. However, their work was mostly confined to writing, drawing, and architectural models. Walt Disney, although he did theorize about it, did build theme parks with spaces designed for their psychological effects on the viewer. However, while the Situationists believed that these spaces should be constantly altered by active inhabitants according to their needs and whims, Walt Disney's spaces sought to comfort and entertain their more passive inhabitants. These differing approaches to constructing physical spaces for psychological effect can suggest strategies for the design of interactive computer spaces.

An essay about the art of Bruce Nauman in relation to Roland Barthes theory of the text. The idea of the "Death of the Author", in which the power to create meaning is transferred from the artist to the viewer, is explored along with techniques that again transfer this power to the work itself.

This mediation on the multiplex cinema's combines images, theoretically writing, personal accounts, and text from the cineplex company. Each type of description appears in its own frame but links to content in another frame. By displaying both the source and destination of the link at the same time, connections between these modes of knowledge are emphasized.

A reflection on the interconnections between systems theory, emerging technology, life, and society. Each link highlights connections between disparate content and opens this new material in a different frame, facilitating the visualization of the the interconnections.